The film is based on lyrics from the very famous Brazilian samba composer Adoniran Barbosa, following the aesthetics of his time. Notable facts and characters of his songs takes us through the story, a portrait of São Paulo city in the 50's, a place full of music, love stories and gentrification (poor people getting evicted from their places in order to build great buildings), subjects often explored in Adoniran's work, always with a good touch of humor. This way he became the 'poor people poet'.

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Camila, after a couple of months of the loss of her parents, continues to mourn during the Day of the Dead, the colorful and festive traditions do not do justice to the loneliness and helplessness.

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A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.

On the night of día de los muertos, the women of the strip club La Candelaria seek revenge on those who abused them.

UN DÍA DE MAYO (Becoming Mayo ) explores the emotional journey of Mayo, a young man burdened by unresolved trauma, who must confront his painful past to reclaim his passion for painting and embrace love. The film delves into the healing process, showing how creativity and vulnerability can break the barriers of fear and guilt.

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